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The Staffordshire Potteries is the industrial area encompassing the six towns Burslem, Fenton, Hanley, Longton, Tunstall and Stoke (which is now the city of Stoke-on-Trent) in Staffordshire, England. [1] North Staffordshire became a centre of ceramic production in the early 17th century, [2] due to the local availability of clay, salt, lead and ...
This began production in 1802, and was to remain one of the family's main sites, and a pottery until recent decades. In 1808 he gave John and William, then in their early twenties, shares in the business (which became "Ridgway & Sons"), and also began to make bone china. Job died in 1814, when "John and William Ridgway" or "J and W Ridgway ...
Davenport Pottery was an English earthenware and porcelain manufacturer based in Longport, Staffordshire. [1] It was in business, owned and run by the Davenport family, between 1794 and 1887, making mostly tablewares in the main types of Staffordshire pottery .
Staffordshire figures are a type of popular pottery figurine made in England from the 18th century onward. Many Staffordshire figures made from 1740 to 1900 were produced by small potteries and makers' marks are generally absent.
Staffordshire bone china covered chocolate cabinet cup, with enamels and gilding, c. 1815–20, Victoria and Albert Museum.. Bone china is a type of vitreous, translucent pottery, [1] the raw materials for which include bone ash, feldspathic material and kaolin.
Staffordshire dog figurines are matching pairs of pottery spaniel dogs, standing guard, which were habitually placed on mantelpieces in 19th-century homes. Mainly manufactured in Staffordshire pottery , these earthenware figures were also made in other English counties and in Scotland.
The Spode Museum is based in Stoke-on-Trent, England, where Josiah Spode, known for his role in the Industrial Revolution, established his pottery business in 1774. The Spode Museum collection includes a ceramics collection representing 200 years of Spode manufacture, ranging from spectacular pieces made for Royalty, the Great Exhibitions and the very rich to simple domestic wares.
In 1900, the company employed over 700 people in the Staffordshire area and was seen as one of the largest producers of majolica in England in the late 1800s. In their prime, the company had showrooms in London, Paris, Berlin and Vienna. Before 1900, the company was known for producing a vast range of Victorian majolica. Techniques were later ...