Search results
Results from the WOW.Com Content Network
The mezzotint printmaking method was invented by the German soldier and amateur artist Ludwig von Siegen (1609 – c. 1680). His earliest mezzotint print dates to 1642 and is a portrait of Countess Amalie Elisabeth of Hanau-Münzenberg, regent for her son, and von Siegen's employer. This was made by working from light to dark.
Carborundum mezzotint is a printmaking technique in which the image is created by adding light passages to a dark field. It is a relatively new process invented in the US during the 1930s by Hugh Mesibov , Michael J. Gallagher, and Dox Thrash , an artist working in Philadelphia with the Works Progress Administration (WPA) [ 1 ] ).
However, Hamaguchi valued its emphasis on tonality and texture as expressed in a work's lighting and tactile qualities. By working in a European-born printing technique, Hamaguchi received praise from the European, American, and Japanese art centers for his distinct mezzotint printing methods and re-popularization of the long-ignored medium.
4-colour mezzotint of Louis XV by Le Blon, 1739 Page from Le Blon's 1725 Coloritto describing his RYB three-color printing process [1]. Jacob Christoph Le Blon, or Jakob Christoffel Le Blon, (2 May 1667 – 16 May 1741) was a painter and engraver from Frankfurt who invented a halftone color printing system with three and four copper dyes using an RYB color model, which served as the foundation ...
Reduction printing is a name used to describe the process of using one block to print several layers of color on one print. Both woodcuts and linocuts can employ reduction printing. This usually involves cutting a small amount of the block away, and then printing the block many times over on different sheets before washing the block, cutting ...
Portrait of Amelie Elisabeth von Hessen, the first known mezzotint, by Ludwig von Siegen, 1642. Ludwig von Siegen (c. March 1609 Cologne – c. 1680 Wolfenbüttel, Germany) was a German soldier and amateur engraver, who invented the printmaking technique of mezzotint, a printing-process reliant on mechanical pressure used to print more complex engravings than previously possible.
Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...
International Mezzotint Festival, Ekaterinburg, Russia, "Erasing to Remember", essay for a catalogue of mezzotints by Eduardo Fausti, 2011; Mezzotint, Art of Darkness, an exhibition of classical and contemporary mezzotints organized by Carol Wax and Earl Retif for the New Orleans Museum of Art, April 27 – July 28, 1996