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The Kufic script (Arabic: الخط الكوفي, romanized: al-khaṭṭ al-kūfī) is a style of Arabic script, that gained prominence early on as a preferred script for Quran transcription and architectural decoration, and it has since become a reference and an archetype for a number of other Arabic scripts.
Amiri (Arabic: أميري) is a naskh typeface for Arabic script designed by Khaled Hosny. [ 1 ] [ 2 ] The beta was released in December 2011. [ 1 ] As of October 22, 2019, it is hosted on 67,000 websites, and is served by the Google Fonts API approximately 74.8 million times per week.
Thuluth (Arabic: ثُلُث, Ṯuluṯ or Arabic: خَطُّ الثُّلُثِ, Ḵaṭṭ-uṯ-Ṯuluṯ; Persian: ثلث, Sols; Turkish: Sülüs, from thuluth "one-third") is an Arabic script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new script by curved and oblique lines.
Arabic calligraphy can be on occasion be found in places of worship for Muslim's known as Mosques with engravings of Quranic verses / Ayah present on parts of the architecture itself. [18] The most widely recognized example of Arabic Calligraphy on a place of Islamic worship is the Kaaba present in Mecca, Saudi Arabia. [19]
It became the basis of modern Arabic print. Kufic is commonly believed to predate naskh, but historians have traced the two scripts as coexisting long before their codification by ibn Muqla, as the two served different purposes. [24] Kufi was used primarily in decoration, while Naskh served for everyday scribal use. [25]
The Noto family is designed with the goal of achieving visual harmony (e.g., compatible heights and stroke thicknesses) across multiple languages/scripts. Commissioned by Google, the font is licensed under the SIL Open Font License. [3] Until September 2015, the fonts were under the Apache License 2.0. [4]
Arabic typography is the typography of letters, graphemes, characters or text in Arabic script, for example for writing Arabic, Persian, or Urdu. 16th century Arabic typography was a by-product of Latin typography with Syriac and Latin proportions and aesthetics.
The name Nastaliq "is a contraction of the Persian naskh-i ta'liq (Persian: نَسْخِ تَعلیق), meaning a hanging or suspended naskh." [6] Virtually all Safavid authors (like Dust Muhammad or Qadi Ahmad) attributed the invention of nastaliq to Mir Ali Tabrizi, who lived at the end of the 14th and the beginning of the 15th century.
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