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No Retreat, No Surrender was released on May 2, 1986. [8] It was the eleventh-highest grossing film on its opening week at the American box office, earning $739,723; [9] it grossed a total of $4,662,137 in the United States and Canada. [10] The film sold 1.3 million tickets in the United States [11] and 395,013 in France. [12]
Although this success was moderate compared to similar movies of the time, such as the Rocky series, The Karate Kid series, or even The Last Dragon, it remains a cult classic film to many people around the world. 1987's No Retreat, No Surrender 2 was originally intended to be a direct sequel to this film, but safety concerns over filming in ...
No Retreat, No Surrender 3: Blood Brothers This page was last edited on 20 December 2020, at 23:01 (UTC). Text is available under the Creative Commons ...
Babylon 5 is an American space opera television series created by writer and producer J. Michael Straczynski, ... 2261 • No Surrender, No Retreat (Season 4) [b ...
No Retreat, No Surrender 3: Blood Brothers is a 1990 American action film directed by Lucas Lowe and starring Loren Avedon and Keith Vitali. While financed by Seasonal Entertainment, it does not have any narrative or character connection to No Retreat, No Surrender or the sequel , both directed by Corey Yuen .
In addition to many appearances in martial arts films like No Retreat, No Surrender 2: Raging Thunder, No Retreat, No Surrender 3: Blood Brothers and The King of the Kickboxers and he also worked in television series such as Baywatch and Thunder in Paradise. For the films Deadly Ransom (1998) and The Silent Force (2001), Avedon worked both as ...
In 2024, Capelight Pictures released The Last Kumite, a crowd-funded film "inspired by the likes of Bloodsport, Kickboxer and No Retreat No Surrender". [38] Several people with ties to the original films were attached to the project, including Kurt McKinney, Michel Qissi, and Bolo Yeung's son David Yeung. [39] [40]
According to an interview with actor Loren Avedon, [1] he shot his scenes independently with his scenes involving Richard Jaeckel as his boss. In addition, in the scene where Avedon's character does the Stallone-like scream after seeing Khan and remembering the death of his brother, Avedon told director Lo he wanted to just toss the film tape into the fire in anger.