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J. Gordon Holt in 2005. Justin Gordon Holt (19 April 1930 – 20 July 2009) was an audio engineer and the founder of Stereophile magazine, and is widely considered to be the founder of the high-end audio movement, which promoted the philosophy of judging sound quality by subjective tests, generally with "cost no object" sound components, including loudspeakers, turntables, amplifiers, vacuum ...
Stereophile was founded in 1962 [2] by J. Gordon Holt. With the August 1987 issue, it started monthly publication. In 1998, Stereophile was acquired by the Petersen Publishing Company. [3] At this point, it was based in Santa Fe, New Mexico. [2] During this period, it was published eight times a year. [2]
In 2013, Bonnier sold it to Source Interlink, who merged it with its previously owned consumer electronics magazine Home Theater. [6] [7] In March 2018, Sound & Vision was purchased, along with related magazines and websites, by AVTech Media Ltd. [8] One of the key features of the magazine was the permanence of its staff. Some staffers stayed ...
A review of the 901 by Stereophile magazine in 1979 concluded: [29] If we were to judge the 901 in terms of the best sound available, then, we would say that it produces a more realistic semblance of natural ambience than any other speaker system, but we would characterize it as unexceptional in all other respects.
AV receiver: Also known as a home theater receiver, connects to a TV and decodes multiple audio channels to power a multi-speaker surround sound system. Preamplifier: It takes the weak audio signal from the source component and sends a stronger signal to the amplifier. Controls and selects audio sources, adjusts volume, and may offer tone ...
A compression driver (cylindrical box at rear) on a midrange horn speaker used in a home audio system A compression driver (A) in a horn loudspeaker consists of a metal diaphragm (blue) vibrated by the audio signal current in a coil of wire (red) between the poles of a cylindrical magnet (green) .
If sound was heard, the audio amps had different properties). Bob Carver used "distortion pots" to introduce amplifier characteristics, fine-tuned to null-out any sound differences. His modified amplifier sound was so similar, Stereophile Magazine editors could not tell the difference between his amplifier and one costing more than $6,000. [5]
With the rise in popularity of home theater, however, multi-channel playback systems became popular, and many consumers were willing to tolerate the six to eight channels required in a home theater. In addition to spatial realism, the playback of music must be subjectively free from noise, such as hiss or hum, to achieve realism.