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Marcato (short form: Marc. ; Italian for marked ) is a musical instruction indicating a note , chord , or passage is to be played louder or more forcefully than the surrounding music. The instruction may involve the word marcato itself written above or below the staff or it may take the form of the symbol ∧, [ 1 ] [ 2 ] [ 3 ] an open vertical ...
An instruction to string performers to play a pizzicato note to pull the string away from the fingerboard so that it snaps back percussively on the fingerboard. bass The lowest of the standard four voice ranges (bass, tenor, alto, soprano); the lowest melodic line in a musical composition, often thought of as defining and supporting the harmony ...
This forms a legal framework wherein participating countries (contracting parties) agree on a common set of technical prescriptions and protocols for type approval of vehicles and components. These were formerly called "UNECE Regulations" or, less formally, "ECE Regulations" in reference to the Economic Commission for Europe.
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A two-part musical form Cadenza: falling: A florid solo at the end of a performance Cantata: sung: A piece for orchestra and singers Capriccio: caprice: A lively piece, free in form, often used to show musical skill Cavatina: small instrumental tone: A simple melody or song Coda: tail: The end of a piece Concerto: concert
Early childhood education (ECE), also known as nursery education, is a branch of education theory that relates to the teaching of children (formally and informally) from birth up to the age of eight. [1] Traditionally, this is up to the equivalent of third grade. [2] ECE is described as an important period in child development.
Nova Scotia College of Early Childhood Education, (NSCECE), formerly known as St. Joseph's College, is a non-profit, private career college located on Quinpool Road in Halifax, Nova Scotia, Canada.
The mood shifts with the move to a minor key and unexpected accents and silences. The viola and cello interject with an odd motif marked "queste note ben marcato". The Scherzo returns to B ♭ major and is a "tour de force of syncopation" and "an explosion of rhythmic eccentricity". [1] "It depends on rhythmic effects of 3 x 2 as against 2 x 3 ...