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The festival was renamed in 2016 to the North Carolina Whirligig Festival, [16] and is usually held the first full weekend of November. [17] The Vollis Simpson Whirligig Park was created in Wilson to document, conserve, and display the large sculptures from Simpson's land in Lucama. [18] The park had its grand opening on November 2, 2017. [19]
During the past 40 years he has primarily focused upon creating "wind sculptures" which are handmade kinetic art that responds to the changing currents of the wind. His compositions vary from single, 5 foot (1.5 m) tall pieces to "Wind Forests" consisting of groups of sculptures standing up to 35 foot (11 m) tall.
He felt that his moving sculpture Kinetic Construction (also dubbed Standing Wave, 1919–20) [6] was the first of its kind in the 20th century. From the 1920s until the 1960s, the style of kinetic art was reshaped by a number of other artists who experimented with mobiles and new forms of sculpture.
Whirligig Park in Wilson. Wilson is the home of the Vollis Simpson Whirligig Park, an Outsider Art installation. Simpson specialized in large kinetic sculptures called "whirligigs", which Simpson made from salvaged metal. Simpson became nationally known after he was commissioned to create a whirligig for the American Visionary Art Museum in ...
Jim Pallas (born 1941) is an American sculptor known for his electro-kinetic sculptures. [1] [2] “Zany, surrealistic, and ingenious in their construction, Mr. Pallas' work ushers us into the gaudy baroque phrase of kinetic art, as emanations of Paul Klee's Twittering Machines come back to haunt us in the language of our bizarre technology.” [3] Pallas is one of the pioneers in electronic ...
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Kinetic sculptures in the Czech Republic (3 P) U. Kinetic sculptures in the United States (26 P) Pages in category "Kinetic sculptures" The following 14 pages are in ...
This was at the beginning of the kinetic movement; Benton worked largely in isolation, unaware of other efforts of kinetic artists. His early works of this series were exhibited at Gump's Gallery in San Francisco. In the late 1970s, he abandoned kinetic art, switching to more traditional media for sculpture: bronze and steel.[5]
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