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Sargam (from SA-RE-GA-MA), a technique for the teaching of sight-singing, is the Hindustani or North Indian equivalent to the western solfege. Sargam is practiced against a drone and the emphasis is not on the scale but on the intervals, thus it may be considered just intonation. The same notes are also used in South Indian Carnatic music.
Sargam refers to singing the notes, mostly commonly used in Indian music, instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. This is generally done in medium-tempo as a bridge between the alap and taan portions.
Sargam is the Indian equivalent to solfège, a technique for the teaching of sight-singing. As in Western moveable-Do solfège, the svara Sa is the tonic of a piece or scale. [ 14 ] The seven svara s of the saptak are the fundamentals of heptatonic scales or melakarta raga s and thaat s in Carnatic and Hindustani classical music.
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide ... Dinamani தினமணி (Tamil Branch of The Indian Express)
The Tamil script (தமிழ் அரிச்சுவடி Tamiḻ ariccuvaṭi [tamiɻ ˈaɾitːɕuʋaɽi]) is an abugida script that is used by Tamils and Tamil speakers in India, Sri Lanka, Malaysia, Singapore and elsewhere to write the Tamil language. [5]
Grantha is a Unicode block containing the ancient Grantha script characters of 6th to 19th century Tamil Nadu and Kerala for writing Sanskrit and Manipravalam. Grantha [1] [2] Official Unicode Consortium code chart (PDF)
Extended-Tamil script or Tamil-Grantha refers to a script used to write the Tamil language before the 20th century Tamil purist movement. [1] Tamil-Grantha is a mixed-script: a combination of the conservative-Tamil script that independently evolved from pre-Pallava script, combined with consonants imported from a later-stage evolved Grantha script (from Pallava-Grantha) to write non-Tamil ...
Durga is a raga in Hindustani Classical music.It shares some features with Shuddha Saveri of Carnatic music (such as the note positions), but is significantly different from it in terms of the sancharas of the raga.