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Dramatic Prakrits were those standard forms of Prakrit dialects that were used in dramas and other literature in medieval India. They may have once been spoken languages or were based on spoken languages, but continued to be used as literary languages long after they ceased to be spoken. [ 1 ]
The roots of Indian drama go back to the Rigveda, which contains a number of dialogues, acts and scenes, as well as literary devices such as animal fables and riddles. In many Vedic rituals, musical instruments like the flute and lyre are invariably used [ 1 ] [ 2 ] Shatapatha Brahmana (~800–700 BCE) has verses in chapter 13.2 written in the ...
Shauraseni Prakrit (Sanskrit: शौरसेनी प्राकृत, romanized: Śaurasenī Prākṛta) was a Middle Indo-Aryan language and a Dramatic Prakrit. Shauraseni was the chief language used in drama in medieval northern India. Most of the material in this language originates from the 3rd to 10th centuries, and represented a ...
Prakrit (/ ˈ p r ɑː k r ɪ t / [a]) is a group of vernacular classical Middle Indo-Aryan languages that were used in the Indian subcontinent from around the 3rd century BCE to the 8th century CE. [2] [3] The term Prakrit is usually applied to the middle period of Middle Indo-Aryan languages, excluding earlier inscriptions and Pali. [4]
Drama, in this ancient Sanskrit text, is an art to engage every aspect of life, in order to glorify and gift a state of joyful consciousness. [ 64 ] The text discusses the universal and inner principles of drama, that it asserts successfully affects and journeys the audience to a supersensual state of discovery and understanding.
Ardhamagadhi Prakrit was a Middle Indo-Aryan language and a Dramatic Prakrit thought to have been spoken in modern-day Bihar [3] and Uttar Pradesh and used in some early Buddhist and Jain dramas. It was likely a Central Indo-Aryan language, related to Pali and the later Shauraseni Prakrit. [4] The Eastern Hindi languages evolved from ...
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Svapnavasavadattam is a sequel to the Bhāsa's another play Pratijnayaugandharayana (The Pledge of Minister Yaugandharayana) which describes in four acts the events culminating in the marriage of Udayana and Vasavadatta which was brought about by the efforts of Yaugandharayana, Udayana's minister.
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