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List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
The Musée d'Orsay has five paintings of the series on permanent display. [8] In 2018, the National Gallery in London exhibited five paintings of the series, together in a single room, for the duration of a temporary exhibition titled Monet & Architecture, devoted to Claude Monet's use of architecture as a means to structure and enliven his art ...
Claude Monet, The Water Lilies – The Clouds, 1920–1926, Musée de l'Orangerie, Paris Claude Monet, The Water Lilies – Setting Sun, 1920–1926, Musée de l'Orangerie, Paris Claude Monet, Reflections of Clouds on the Water-Lily Pond, c. 1920, 200 × 1276 cm (78.74 × 502.36 in), oil on canvas, Museum of Modern Art, New York City
A previously unseen painting by Claude Monet is expected to fetch more than $65 million when it goes on sale in New York early next month, according to a statement released by Christie’s auction ...
A Claude Monet pastel painting stolen by Nazis from a Jewish family during World War II, which vanished for decades only to show up with a Louisiana art dealer, was returned Wednesday in New ...
The Artist's Garden at Giverny (French: Le Jardin de l'artiste à Giverny) is an oil on canvas painting by Claude Monet done in 1900, now in the Musée d'Orsay, Paris.. It is one of many works by the artist of his garden at Giverny over the last thirty years of his life.
Boating on the River Epte (also known as The Canoe on the Epte) is an 1890 oil painting by French impressionist artist Claude Monet. It is currently housed at the São Paulo Museum of Art . Between 1887 and 1890 Monet concerned himself with portraying scenes from the River Epte , which skirted his property at Giverny .
The various elements of the painting are unified through brushwork; short, crisp strokes were used to paint the grasses of the cliff, the girls' drapery and the distant sea. A sense of movement suggested by painterly calligraphy was a property of Monet's work in the 1880s, and is here used to connote the effect of a summer wind upon figures ...