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The media was expected to take sides, not to remain neutral, during World War I.When Wilhelm II declared a state of war in Germany on July 31, the commanders of the army corps (German: Stellvertretende Generalkommandos) took control of the administration, including implementing a policy of press censorship, which was carried out under Walter Nicolai.
Although untrue—German propaganda during World War I was mostly more advanced than that of the British—it became the official truth of Nazi Germany thanks to its reception by Hitler. [4] Mein Kampf contains the blueprint of later Nazi propaganda efforts. Assessing his audience, Hitler writes in chapter VI:
German Museum in Munich, featuring a poster of the antisemitic Nazi propaganda film The Eternal Jew (1937) With the establishment of Department V (Film), the Propaganda Ministry became the most important body for the German film industry alongside the Reich Chamber of Culture and the Reich Film Chamber. Initially little changed in the formal ...
World War II saw continued use of propaganda as a weapon of war, building on the experience of WW1, both by Hitler's propagandist Joseph Goebbels and the British Political Warfare Executive, as well as the United States Office of War Information (OWI). Propaganda was an important instrument for Nazi party in acquiring and maintaining power ...
Wilhelm II to a recruit. "And don't forget that your Kaiser will find a use for you—alive or dead." Punch, 25 April 1917. The German Corpse Factory or Kadaververwertungsanstalt (literally "Carcass-Utilization Factory"), also sometimes called the "German Corpse-Rendering Works" or "Tallow Factory" [1] was a recurring work of atrocity propaganda among the Allies of World War I, describing the ...
A propaganda poster supporting the boycott declared that "in Paris, London, and New York German businesses were destroyed by the Jews, German men and women were attacked in the streets and beaten, German children were tortured and defiled by Jewish sadists", and called on Germans to "do to the Jews in Germany what they are doing to Germans abroad."
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Hans Schweitzer (25 July 1901 – 15 September 1980), known as Mjölnir, or Mjoelnir was an artist who produced many posters for the Nazi Party under Adolf Hitler. In Teutonic mythology, Mjölnir is the name of Thor's hammer. He was recruited to produce Nazi propaganda posters by Joseph Goebbels. The posters depicted crude but memorable ...
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