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Furthermore, some see evidence of the intentional preference of the masculine over the feminine. It has been argued that 17th-century grammaticians who wanted to assert male dominance worked to suppress the feminine forms of certain professions, leading to the modern-day rule that prefers the masculine over the feminine in the French language. [4]
Some (very rare) nouns change gender according to the way they are used: the words amour 'love' and délice 'pleasure' are masculine in singular and feminine in plural; the word orgue 'organ' is masculine, but when used emphatically in plural to refer to a church organ it becomes feminine (les grandes orgues); the plural noun gens 'people ...
Women in Ancient Greece wore himations; and in Ancient Rome women wore the palla, a rectangular mantle, and the maphorion. [54] The typical feminine outfit of aristocratic women of the Renaissance was an undershirt with a gown and a high-waisted overgown, and a plucked forehead and beehive or turban-style hairdo. [54]
Nicole Brossard OC CQ (born November 27, 1943) is a French-Canadian formalist poet and novelist. [1] [2] Her work is known for exploration of feminist themes [3] and for challenging masculine-oriented language and points of view in French literature. [4] She lives in Outremont, a suburb of Montreal, Canada.
Femme (/ f ɛ m / pronunciation ⓘ; [1] French:, literally meaning ' woman ') is a term traditionally used to describe a lesbian woman who exhibits a feminine identity or gender presentation. [ 2 ] [ 3 ] [ 4 ] While commonly viewed as a lesbian term, alternate meanings of the word also exist with some non-lesbian individuals using the word ...
The book would also explore the concept of androgyny, along with its links to the anti-essentialism of the French school. [ 7 ] Sexual/Textual Politics was followed by further explorations of contemporary French feminists such as Julia Kristeva , before Moi turned to her ground-breaking 1994 study of Simone de Beauvoir . [ 8 ]
Feminist language philosophers argue that these words participate in making women invisible by having them being used to refer to men and also women. The fact that the pronouns or words for the male gender can be also used to refer to the female gender shows how maleness is dominant and femaleness is subjugated. [20]
The Laugh of the Medusa" is successful in its creation of a writing style that allows women to claim authority because it was created on the foundation of the woman's claim to herself and her body, therefore eliminating the oppressive effects of patriarchal control of rhetoric. [4]