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Calypso in the Caribbean includes a range of genres, including benna in Antigua and Barbuda; mento, a style of Jamaican folk music that greatly influenced ska, the precursor to rocksteady, and reggae; spouge, a style of Barbadian popular music; Dominica cadence-lypso, which mixed calypso with the cadence of Haiti; and soca music, a style of ...
Kaiso is a type of music popular in Trinidad and Tobago, and other countries, especially of the Caribbean, such as Grenada, Belize, Barbados, St. Lucia, and Dominica, which originated in West Africa particularly among the Efik and Ibibio people of Nigeria, and later evolved into calypso music.
Mento typically features acoustic instruments, such as acoustic guitar, banjo, hand drums, and the rhumba box — a large mbira in the shape of a box that can be sat on while played. The rhumba box carries the bass part of the music. Mento is often confused with calypso, a musical form from Trinidad and Tobago. Although the two share many ...
Calypso or as the town's people call it "Calipso" is one of a popular cultural tradition. Popular instruments used in the performance of the music are the drums, cuatro, maracas, guitar, bandolin, violin and the steel drum.
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte.
From its neighbors, the Virgin Islands has imported various pan-Caribbean genres of music, including calypso music and soca music from Trinidad and reggae from Jamaica. The major indigenous form of music is the scratch band (also called ''Fungi band'' in the British Virgin Islands), which use improvised instruments like gourds and washboards to ...
Of these, steeldrum and calypso are the most integral parts of modern Antiguan popular music; both styles are imported from the music of Trinidad and Tobago. Little to no musical research has been undertaken on Antigua and Barbuda other than this. As a result, much knowledge on the topic derives from novels, essays and other secondary sources. [1]
They used calypso to mock the slave masters and to communicate with each other. As calypso developed, the role of the griot (originally a similar travelling musician in West Africa) became known as a chantwell and, eventually, calypsonian. As the country became urbanized chantwells became more and more a male function but the portfolio remains ...