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Envoi or envoy in poetry is used to describe: A short stanza at the end of a poem such as a ballad, used either to address an imagined or actual person or to comment on the preceding body of the poem. [1] [2] A dedicatory poem about sending the book out to readers, a postscript. [3] Any poem of farewell, including a farewell to life.
Poetic closure is the sense of conclusion given at the end of a poem. Barbara Herrnstein Smith's detailed study—Poetic Closure: A Study of How Poems End—explores various techniques for achieving closure. One of the most common techniques is setting up a regular pattern and then breaking it to mark the end of a poem.
Maria Wiik, Ballad (1898) A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America.
[8] [9] William Taylor has also compared Lenore to "an obscure English ballad called 'The Suffolk Miracle '", in which a young man appears to his sweetheart, who has no knowledge that he had already died, and carries her on horseback for forty miles until the man complains he has a headache, which leads the maid to tie her handkerchief around ...
The sea and time are common motifs in Swinburne's poetry. Poems and Ballads, First Series is the first collection of poems by Algernon Charles Swinburne, published in 1866. The book was instantly popular, and equally controversial. Swinburne wrote about many taboo topics, such as lesbianism, sado-masochism, and anti-theism.
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The Song of Armouris or the Lay of Armouris (also Armoures; Greek: Ἄσμα τοῦ Ἀρμούρη) [a] is a medieval Greek heroic poem of the middle Byzantine period. Dating from the 11th century, it is probably one of the oldest surviving Acritic songs, narrative heroic songs or ballads celebrating the lives and exploits of the Byzantine Akritai.
Renascence: and other poems. Harper & brothers. (title poem first published under name E. Vincent Millay in The Lyric Year, 1912; collection includes God's World), M. Kennerley, 1917. reprinted, Books for Libraries Press, 1972. A Few Figs From Thistles: Poems and Four Sonnets, F. Shay, 1920. 2nd [enlarged] Edna St. Vincent Millay (1921).