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Because most if not all of the images in these sub-categories are fair use images of DVDs, manga, TV, etc., all of the sub-categories should be tagged with the magic word __NOGALLERY__. This is per fair use criterion No. 9, which states that "Fair use images may be used only in the article namespace. Used outside article space, they are not ...
Cruz called it a "R-rated Chobits" and that it is "[a]musing, cute, and a little bit naughty." [ 18 ] Chris Beveridge wrote that while the jokes do get repeated throughout, the OVA has "other computer related humor that is a lot of fun here", adding that it is "light and fun and in the end, not demeaning at all, which is a trap a lot of ecchi ...
Good Luck Girl!, known in Japan as Binbō-gami ga! (貧乏神が!, lit. ' This God of Poverty! '), is a Japanese manga series written and illustrated by Yoshiaki Sukeno [].
Kantai Collection (Japanese: 艦隊これくしょん, Hepburn: Kantai Korekushon, lit. ' Fleet Collection '), [a] abbreviated as KanColle (艦これ, KanKore), is a Japanese free-to-play web browser game developed by Kadokawa Games and published by DMM.com.
Gurren Lagann, known in Japan as Tengen Toppa Gurren Lagann (Japanese: 天元突破グレンラガン, Hepburn: Tengen Toppa Guren Ragan, lit."Heaven-Piercing Gurren Lagann"), is a Japanese mecha anime television series animated by Gainax and co-produced by Aniplex and Konami.
"Shukusei!! Loli Kami Requiem" [a] is a song by Japanese artist Ui Shigure from her debut album The Rain Doesn't Stop Yet . [b] Featuring vocals by Shigure in her nine-year-old schoolgirl persona and narration by Tamaki Inuyama, it was composed by D.watt and written by Maron, both members of IOSYS.
Wolf Girl and Black Prince (オオカミ少女と黒王子, Ōkami Shōjo to Kuro Ōji) is a Japanese shōjo manga series written by Ayuko Hatta. It was adapted into a drama CD in 2013. [ 1 ] In 2014, the May issue of Shueisha's Bessatsu Margaret magazine announced that an anime television had been green-lit. [ 2 ]
Since Twitter only allows four images per Tweet, chapters of the series are limited to four pages. As a result, Aya and Mitsuki's interactions have to be depicted concisely. [ 8 ] The series' editor commented that the character's faces are illustrated to be detailed enough to understand the story without the dialogue, which makes the series ...