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Woad plants Fruits of Isatis tinctoria. Isatis tinctoria, also called woad (/ ˈ w oʊ d /), dyer's woad, dyer's-weed, or glastum, is a flowering plant in the family Brassicaceae (the mustard family) with a documented history of use as a blue dye and medicinal plant. Its genus name, Isatis, derives from the ancient Greek word for the plant ...
Royal blue is the colour of the shirts of Glasgow Rangers F.C. Royal blue is the traditional colour of GNK Dinamo Zagreb and is also one of their nicknames (Modri, Plavi in the Croatian language). American football. Royal blue is the primary color of the uniforms for the Buffalo Bills and Los Angeles Rams of the NFL. Ice hockey
This is a very successful indoor plant where it is too tender to be grown outdoors, and thrives on "healthy neglect". It prefers not to be in full sun, but is very tolerant of under-watering, and flowers better if restricted in a small pot. This plant has gained the Royal Horticultural Society's Award of Garden Merit. [5] [6]
In John le Carré's 1968 novel A Small Town in Germany, the character Bradfield says, "I used to think I was a Romantic, always looking for the blue flower" (Pan edition, p. 286 – chap. 17). Substance D, a fictitious drug in Philip K. Dick's 1977 novel A Scanner Darkly, is derived from a plant with blue flower.
Gardens of the Château de Villandry View of the Diane de Poitiers' garden at the Château de Chenonceau Medici Fountain in the Jardin du Luxembourg, Paris. Gardens of the French Renaissance were initially inspired by the Italian Renaissance garden, which evolved later into the grander and more formal jardin à la française during the reign of Louis XIV, by the middle of the 17th century.
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The Flowers of the Four Seasons (Chinese: 四季名花, Sìjì Mínghuā) are a traditional grouping of flowers found in Chinese culture [1] that spread to and influenced other East Asian [2] arts. In Chinese art [3] and culture, the flowers that represent the four seasons consist of: (春兰) Chūnlán – Spring – orchid
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.
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