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It is usually a combination of a Bode magnitude plot, expressing the magnitude (usually in decibels) of the frequency response, and a Bode phase plot, expressing the phase shift. As originally conceived by Hendrik Wade Bode in the 1930s, the plot is an asymptotic approximation of the frequency response, using straight line segments .
The Wind Blows" is a short story by Katherine Mansfield. It was first published in the magazine Signature (4 October 1915) as “Autumns: II” under the pseudonym Matilda Berry. It was published in revised form in the Athenaeum on 27 August 1920, and subsequently reprinted in Bliss and Other Stories .
An example of this is The Ring and the Book by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the Romance of the Rose or Tennyson's Idylls of the King. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology.
"The Wind" shows great inventiveness in its choice of metaphors and similes, while employing extreme metrical complexity. [9] It is one of the classic examples [10] [11] of the use of what has been called "a guessing game technique" [12] or "riddling", [13] a technique known in Welsh as dyfalu, comprising the stringing together of imaginative and hyperbolic similes and metaphors.
The Fable of The Bees: or, Private Vices, Publick Benefits (1714) is a book by the Anglo-Dutch social philosopher Bernard Mandeville.It consists of the satirical poem The Grumbling Hive: or, Knaves turn'd Honest, which was first published anonymously in 1705; a prose discussion of the poem, called "Remarks"; and an essay, An Enquiry into the Origin of Moral Virtue.
The poem is based upon an actual experience of Brontë's. [7] A note stating "Composed in the Long-Plantation on a wild bright windy day", was written in Anne Brontë's hand at the bottom of the manuscript and the "Long-Plantation" was identified by Edward Chitham as a wood to the East of Kirby Hall toward the River Ouse, though there is no ...
"The wind shifts" explains why John Gould Fletcher detected a poet out of tune with life and with his surroundings. (See the main Harmonium essay.) Buttel cites this poem as an example of Stevens's mastery of repetition within free verse. The repetition of "the wind shifts" underscores the associated human feelings, and "heavy and heavy" adds ...
While there are some instances in which the Ṣabā appears as a wind that is harsh and relentless, the image of the "gentle, erotic, rain-bringing, and fertilizing" Ṣabā was predominant in pre-Islamic Arabic poetry and would continue to be one of the most enduring and intensely charged words of the Arabic lyric poetry, serving as a mood indicator even later. [9]