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Pages in category "1980s instrumentals" The following 32 pages are in this category, out of 32 total. ... This page was last edited on 3 July 2020, at 11:08 (UTC).
Walk, Don't Run (instrumental) The War Lord (instrumental) Washington Square (composition) Watermelon Man (composition) Wheels (The String-A-Longs song) Whipped Cream (song) White Summer; Wiggle Wobble; Wild Weekend (instrumental) Wipe Out (instrumental) Wonderful Land; Wonderland by Night
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics , or singing , although it might include some inarticulate vocals , such as shouted backup vocals in a big band setting.
The UK Singles Chart is a record chart compiled on behalf of the British record industry. Since 1997, the chart has been compiled by the Official Charts Company (formerly The Official UK Charts Company and the Chart Information Network) and until 2005 (when digital downloads were included in the chart compilation), the chart was based entirely on sales of physical singles from retail outlets.
Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals.
A founding member of the Five Blind Boys of Alabama and their best-known lead singer, Clarence Fountain launched his six-album (give or take) solo career with these exuberant sessions.
This list of songs or music-related items is incomplete; you can help by adding missing items. (October 2021 This page was last edited ... List of instrumental bands.
Instrumentals were common, while songs with lyrics were sometimes conceptual, abstract or based in fantasy and science fiction. [72] The Pretty Things' SF Sorrow (1968) and the Who's Tommy (1969) introduced the format of rock operas and opened the door to "concept albums, usually telling an epic story or tackling a grand overarching theme."