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With the popularity of the boycott of British goods, wearing homespun clothing became a patriotic symbol of the fight against British rule. [6] Women in particular took a leading role in the movement by avoiding imported satin and silk but instead using locally-made materials to spin cloths. [ 7 ]
This timeline of clothing and textiles technology covers events relating to fiber and flexible woven material worn on the body. This includes the making, modification, usage, and knowledge of tools, machines, techniques, crafts, and manufacturing systems ( technology ).
The history of Medieval European clothing and textiles has inspired a good deal of scholarly interest in the 21st century. Elisabeth Crowfoot, Frances Pritchard, and Kay Staniland authored Textiles and Clothing: Medieval Finds from Excavations in London, c.1150-c.1450 (Boydell Press, 2001).
As elsewhere, Cretan clothes in the ancient times were well documented in their artwork where many items worn by priestesses and priests seem to reflect the clothing of most. Wool and flax were used. Spinning and weaving were domestic activities, using a similar technique to the Egyptians of the time. [14] Fabrics were often embroidered and ...
Wool's crimp refers to the strong natural wave present in each wool fiber as it is presented on the animal. Wool's crimp, and to a lesser degree scales, make it easier to spin the fleece by helping the individual fibers attach, so they stay together. Because of the crimp, wool fabrics have greater bulk than other textiles, and they hold air ...
This invention had two important consequences: it improved the quality of the thread, which meant that the cotton industry was no longer dependent on wool or linen to make the warp, and it took spinning away from the artisans' homes to specific locations where fast-flowing streams could provide the water power needed to drive the larger machines.
During the early 18th century the first fashion designers came to the fore as the leaders of fashion. In the 1720s, the queen's dressmaker Françoise Leclerc became sought-after by the women of the French aristocracy, [4] and in the mid century, Marie Madeleine Duchapt, Mademoiselle Alexandre and Le Sieur Beaulard all gained national recognition and expanded their customer base from the French ...
It was used to make a short coat of the same name, sometimes with a doubled shoulder. These jackets have their origins on the Canadian frontier and were later made famous by Canadian and American loggers in the upper Midwest as workwear during the mid-19th century logging boom.