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Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. [1] The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature , the Greek lyric , which was defined by its musical accompaniment, usually on an instrument known as ...
For example, Sappho frr. 130 – 131 (and the final lines of fr. 94's stanzas) are composed in a shortened version (gl d) of the meter used in Book II of her poetry. However, the surviving poetry also abounds in fragments in other meters, both stanzaic and stichic, some of them more complicated or uncertain in their metrical construction.
Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours, trouvères, and the minnesänger are known for composing their lyric poetry about courtly love usually accompanied by an instrument. [1] Among the most famous of secular poetry is Carmina Burana, a manuscript
The personal nature of many of the verses of the Nine Lyric Poets led to the present sense of "lyric poetry" but the original Greek sense of "lyric poetry"—"poetry accompanied by the lyre" i.e. "words set to music"—eventually led to its use as "lyrics", first attested in Stainer and Barrett's 1876 Dictionary of Musical Terms. [5]
Since the Middle Ages the terms "Sapphic stanzas" or frequently simply "Sapphics" have come to denote various stanzaic forms approaching more or less closely to Classical Sapphics, but often featuring accentual meter or rhyme (neither occurring in the original form), and with line structures mirroring the original with varying levels of fidelity.
Middle English lyric a genre of English literature, is characterized by its brevity and emotional expression. Conventionally, the lyric expresses "a moment," usually spoken or performed in the first person. Although some lyrics have narratives, the plots are usually simple to emphasize an occasional, common experience.
Simonides was the first to establish the choral dirge as a recognized form of lyric poetry, [65] his aptitude for it being testified, for example, by Quintillian (see quote in the Introduction), Horace ("Ceae ... munera neniae"), [66] Catullus ("maestius lacrimis Simonideis") [67] and Dionysius of Halicarnassus, where he says:
In the early years of the 20th century, rhymed lyric poetry, usually expressing the feelings of the poet, was the dominant poetic form in America, [1] Europe and the British colonies. The relevance and acceptability of the lyric in the modern age was, though, called into question by modernism , the growing mechanization of human experience and ...