Search results
Results from the WOW.Com Content Network
Valse triste (literal English translation: Sad Waltz), Op. 44/1, is a short orchestral work by the Finnish composer Jean Sibelius.It was originally part of the incidental music he composed for his brother-in-law Arvid Järnefelt's 1903 play Kuolema (Death), but is far better known as a separate concert piece.
The song speaks about trying to minimize one's pain and comparing one's pain to another's, for example, seeing a therapist and having a grandfather that fought in World War II and a great-grandfather who was a fireman. [4] The music features transitions between a violin, a trumpet, and a piano. [5]
Arrival (Original Motion Picture Soundtrack) is the soundtrack composed by Jóhann Jóhannsson for Denis Villeneuve's 2016 film Arrival.It was released under Deutsche Grammophon on November 11, 2016, the same day as the film's theatrical release.
Morning music; 2. Dancing in place; 3. Northern Nigun; 4. Lenny in spats; 5. Tempo di gavotte; 6. Barcarolle; 7. Fuga malinconica; 8. Tarantella; 9. Even music) Suite No. 3, for solo violin (2018) -commissioned by the "International Violin Competition of Indianapolis"- (in 7 movements) Csiky Boldizsár. Passacaglia (Thema with Variations) for ...
1. “I Got You (I Feel Good)” by James Brown (1964) It’s worth celebrating the happy moments and James Brown was able to put that sentiment into musical form. The voice of “Godfather of ...
"Ashokan Farewell" / ə ˈ ʃ oʊ ˌ k æ n / is a musical piece composed by the American folk musician Jay Ungar in 1982. For many years, it served as a goodnight or farewell waltz at the annual Ashokan Fiddle & Dance Camps, run by Ungar and his wife Molly Mason, who named the tune after the Ashokan Field Campus (now the Ashokan Center) of SUNY New Paltz in Upstate New York.
In 2016, Ignatiy Vishnevetsky of The A.V. Club described the song as "a placid piece of music that uses a sophisticated palette of synthesized instruments and futuristic sound effects to create a mood of calm that's very different from the sped-up themes usually associated with platform games", being "more nocturnal and urban than submarine".
Music & Media said that "Nocturne not only meant a victory of music over fast food, but also held an unprecedented first of an essentially instrumental song." [8] Alan Jones from Music Week wrote, "It is a haunting, pastoral piece, owing more to the Gaelic culture of lone violinist Fionnuala Sherry than to Nordic music. With so little in the ...