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In 2016, Brant Publications acquired both Art in America and ARTnews from ARTnews SA. [5] In 2018, Penske Media Corporation, the parent company of Variety magazine, acquired ARTnews and Art in America from Brant. [6] The print magazine used to be published 11 times a year, but as of 2021 it is published bi-monthly 6 times a year. [7]
Art in Print was established following the 2009 closure of the previous American journal focused on prints, Art on Paper. [4] Initially PDF-only, Art in Print added a printed magazine in early 2012. A not-for-profit 501(c)(3) corporation, Art in Print received funding from the National Endowment for the Arts, the Dedalus Foundation, the Samuel ...
The magazine was founded by James Clarence Hyde in 1902 as Hydes Weekly Art News and was originally published eleven times a year. [ 2 ] [ 3 ] From vol. 3, no. 52 (November 5, 1904) to vol. 21, no. 18 (February 10, 1923), the magazine was published as American Art News . [ 4 ]
Art in America, est. 1913, covers US and international art but concentrated on New York City; Art in Australia was an Australian magazine that was published between 1916 and 1942; Art in Print, est. 2011, bimonthly art magazine and website on the history and culture of artists' prints; Art International, 1956–1984, published quarterly in ...
The magazine was founded in 1983 and claims a circulation of 60,000. [2] The founding company was Fletcher Art Services. [3] F&W Publications acquired the magazine in September 1986. [3] In 2019 the company stopped its operations and its publications were sold. Macanta Investments, LLC, acquired The Artist's Magazine. [4]
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Brian O'Doherty (4 May 1928 – 7 November 2022) was an Irish-American art critic, writer, visual artist, and academic. He lived in New York City for over 50 years, [1] serving as an art critic for The New York Times and NBC, as well as an editor for Art in America. [2] He used a number of alter egos, including Patrick Ireland. [2]
Artillery is an American contemporary art magazine based in Los Angeles. Features and exhibition reviews are often L.A.-centric yet increasingly dedicated to coverage of the arts worldwide, with contributors based in New York, San Francisco, Dallas, Berlin, and London. The bi-monthly publication is available in both print and web editions.