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Hanakotoba, also known as 花言葉 – Japanese form of the language of flowers List of national flowers – flowers that represent specific geographic areas Plants in culture – uses of plants by humans Pages displaying short descriptions of redirect targets
(Hamlet's anguished cry to his father's ghost) Something is rotten in the state of Denmark. Act I, scene 5: Murder most foul, ... The time is out of joint ... There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy. Act II, scene 2: "Caviar to the general" Hamlet Act 2, scene 2, 431–440 ...brevity is the soul ...
Hector Berlioz – Funeral March for Hamlet (orchestra) and Mort d'Ophélie (chorus). Berlioz did several other Shakespeare-inspired works. [120] Frank Bridge – There is a willow, impression for orchestra [121] Frédéric Chopin – Nocturne in G minor, Op. 15, No. 3, said to have been inspired by Hamlet [122] Joseph Joachim – Hamlet ...
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Under their referencing system, 3.1.55 means act 3, scene 1, line 55. References to the First Quarto and First Folio are marked Hamlet Q1 and Hamlet F1, respectively, and are taken from the Arden Shakespeare Hamlet: the texts of 1603 and 1623. [88] Their referencing system for Q1 has no act breaks, so 7.115 means scene 7, line 115.
A guide to 20 different flowers' names, their meanings, and what each flower symbolizes in 2023. Plus, we take you through the historical context of each one.
Speak the speech" is a famous speech from Shakespeare's Hamlet (1601). [1] In it, Hamlet offers directions and advice to a group of actors whom he has enlisted to play for the court of Denmark. The speech itself has played two important roles independent of the play.
In Hamlet, Rosencrantz and Guildenstern always appear as a pair, except in editions following the First Folio text, where Guildenstern enters four lines after Rosencrantz in Act IV, Scene 3. [1] The two courtiers first appear in Act II, Scene 2, where they attempt to place themselves in the confidence of Prince Hamlet, their childhood friend.