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This African textile is used to weave the Ghanaian Smock. Queens, princesses and women of Dagbon wear the Chinchini. The weaving of the chinchini is done by the 'Kpaluu', one of the traditional professional in the Dagbon society that has existed until today. The smock made from the Chinchini of Dagbon is the most worn traditional cloth of Ghana.
The kanga (in some areas known as leso) is a colourful fabric similar to kitenge, but lighter, worn by women and occasionally by men throughout the African Great Lakes region. It is a piece of printed cotton fabric , about 1.5 m by 1 m, often with a border along all four sides (called pindo in Swahili), and a central part ( mji ) which differs ...
In modern times Akwete weaving has become an activity and art that men and women, Akwete and foreigners alike participate in. Other local groups that have become practitioners of Akwete weaving are the River, Enugu, Ebony, and Benue states. In contrast to traditional Akwete standards, more men from the Benue state weave Akwete cloths than women.
However, in some parts of Ghana and the United States, some women wear black-and-white prints, or black and red. The kaftan is the most popular attire for women of African descent throughout the African diaspora. African and African-American women wear a wide variety of dresses, and skirt sets made out of formal fabrics as formal wear. However ...
African clothing is the traditional clothing worn by the people of Africa. African clothing and fashion is a diverse topic that provides a look into different African cultures. Clothing varies from brightly colored textiles, to abstractly embroidered robes, to colorful beaded bracelets and necklaces.
A typical kitenge pattern. Customers and visitors at a display of African kitenge clothes. A kitenge or chitenge (pl. vitenge Swahili; zitenge in Tonga) is an East African, West African and Central African piece of fabric similar to a sarong, often worn by women and wrapped around the chest or waist, over the head as a headscarf, or as a baby sling.
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