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Besides providing insulation, dark patterns on wings provided by dark colour scales would allow sunlight to be absorbed and thus probably have a role to play in thermoregulation. Bright and distinctive colour patterns in butterflies which are distasteful to predators help communicate their aposematism (toxicity or inedibility) thus preventing a ...
Scales play an important part in the natural history of Lepidoptera. Scales enable the development of vivid or indistinct patterns which help the organism protect itself by camouflage, mimicry, and warning. Besides providing insulation, dark patterns on wings allow sunlight to be absorbed and are probably involved in thermoregulation.
According to Reise, all scales (including the 9-note scale of the Poème Op. 71 No. 1) either resolve or impliy resolution to the octatonic or whole scales. Matthew Bengtson writes, “...the mystic chord acts as a kind of mediator, a convenient means of transit, hovering, as in mid-air, between the whole-tone and octatonic harmonic worlds." [10]
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
The song features a distinctive, chugging 16th-note guitar riff, drum beat and a simple chord structure typical of Nicks' songs. The song's title for the single release was "Edge of Seventeen (Just Like the White Winged Dove)". In the United States, "Edge of Seventeen" just missed out on the top 10 of the Billboard Hot 100, peaking at No. 11 ...
"Look For The Sun" "Fields Of Sun" "Stamped Ideas" "Iron Butterfly Theme" "In The Time Of Our Lives" "Soul Experience" "Lonely Boy" "Real Fright" "In The Crowds" "It Must Be Love" "Her Favorite Style" "Filled With Fear" "Belda Beast" Tracks 1–10 released 1968, recorded 1967; Tracks 11–19 released 1969, recorded 1968
The single version contains both guitar and keyboard, but the interlude is slightly shorter, reducing the song from 5:01 to 4:48. The vinyl single includes a full-length version with guitars in the mix. Finally, the radio edit of the single goes further by omitting the entire piano interlude, bringing the song down to 4:10.