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Jonson's most influential and revealing commentary on Shakespeare is the second of the two poems that he contributed to the prefatory verse that opens Shakespeare's First Folio. This poem, "To the Memory of My Beloved the Author, Mr. William Shakespeare and What He Hath Left Us", did a good deal to create the traditional view of Shakespeare as ...
This article is a collection of quotations and other comments on English playwright William Shakespeare and his works. Shakespeare enjoyed recognition in his own time, but in the 17th century, some poets and authors began to consider him as the supreme dramatist and poet of all times of the English language. No other dramatist has been ...
Poetry groups and movements or schools may be self-identified by the poets that form them or defined by critics who see unifying characteristics of a body of work by more than one poet. To be a 'school' a group of poets must share a common style or a common ethos.
This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (December 2023) (Learn how and when to remove this message) The Chandos portrait, commonly assumed to depict William Shakespeare but authenticity unknown, "the man who of all Modern, and perhaps Ancient Poets, had ...
Portrait miniature of an unknown woman, possibly Emilia Lanier Bassano, c. 1590, by Nicholas Hilliard [1]. The Emilia Lanier theory of Shakespeare authorship contends that the English poet Emilia Lanier (née Aemilia Bassano; 1569–1645) is the actual author of at least part of the plays and poems attributed to William Shakespeare.
In Shakespeare and the Rival Poet, Acheson conjectures that Chapman's erotic poems were written with a view to gaining Southampton's patronage. [4] The moral tone of Ovid's Banquet of Sense eschews the amatory tone of Shakespeare's, and seeks to instill spiritual seriousness in a work that takes the five senses as its Conceits. Chapman's ...
Shakespeare's poem The Phoenix and the Turtle was first published in Robert Chester's Loves Martyr (1601). The Phoenix and the Turtle (also spelled The Phœnix and the Turtle) is an allegorical poem by William Shakespeare, first published in 1601 as a supplement to a longer work, Love's Martyr, by Robert Chester.
The Review was at first a monthly magazine and then from 1915 to 1951 became bi-monthly, turning quarterly in 1952. It has published the work of poets including Thomas Hardy, Rupert Brooke, Robert Frost, W. H. Auden, Ezra Pound, Philip Larkin and Allen Ginsberg. [2] [8] [9] In Spring 2014 the magazine returned to the title The Poetry Review.