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Greek pottery, unlike today's pottery, was only fired once, using a very sophisticated process. [23] The black color effect was achieved by means of changing the amount of oxygen present during firing. This was done in a process known as three-phase firing involving alternating oxidizing –reducing conditions.
On display in the Ancient Agora Museum in Athens, housed in the Stoa of Attalus Ancient Greek ostraca voting for the ostracization of Themistocles in 482 BC. An ostracon (Greek: ὄστρακον ostrakon, plural ὄστρακα ostraka) is a piece of pottery, usually broken off from a vase or other earthenware vessel.
Exekias (Ancient Greek: Ἐξηκίας, Exēkías) was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. [1] Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision.
Euphronios must have been born around 535 BC, when Athenian art and culture bloomed during the tyranny of Peisistratos. Most Attic pottery was then painted in the black-figure style. Much of the Athenian pottery production of that time was exported to Etruria. Most of the extant Attic pottery has been recovered as grave goods (excavated or ...
The information learned from vase paintings forms the foundation of modern knowledge of ancient Greek art and culture. Most ancient Greek pottery is terracotta, a type of earthenware ceramic, dating from the 11th century BCE through the 1st century CE. The objects are usually excavated from archaeological sites in broken pieces, or shards, and ...
Ancient Greek crafts (or the craftsmanship in Ancient Greece) was an important but largely undervalued, economic activity. It involved all activities of manufacturing transformation of raw materials, agricultural or not, both in the framework of the oikos and in workshops of size that gathered several tens of workers.
The Euphronios Krater stands 45.7 cm (18 inches) in height and has a diameter of 55.1 cm (21.7 inches). It can hold about 45 L (12 gallons). The style of the vase is red-figure pottery, in which figure outlines, details, and the background are painted with an opaque black slip while the figures themselves are left in the color of the unpainted terracotta ceramic clay.
The endeavour by archaeologists to match vase forms with those names that have come down to us from Greek literature began with Theodor Panofka’s 1829 book Recherches sur les veritables noms des vases grecs, whose confident assertion that he had rediscovered the ancient nomenclature was quickly disputed by Gerhard and Letronne.