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The "Wedding Church" in Kafr Kanna, Israel, one of the locations considered to be the site of the biblical Cana. The wedding at Cana (also called the marriage at Cana, wedding feast at Cana or marriage feast at Cana) is a story in the Gospel of John at which the first miracle attributed to Jesus takes place. [1] [2]
Nativity images became increasing popular in panel paintings in the 15th century, although on altarpieces the Holy Family often had to share the picture space with donor portraits. In Early Netherlandish painting the usual simple shed, little changed from Late Antiquity, developed into an elaborate ruined temple, initially Romanesque in style ...
Internal View. The Wedding Church at Cana [1] [2] [3] (Arabic: كنيسة الزفاف في كنا; Hebrew: כנסיית החתונה) or simply Wedding Church, also Franciscan Wedding Church, is a religious building of the Catholic Church located in the central part of the town of Kafr Kanna (Cana), [4] [self-published source] in Lower Galilee, located in northern Israel. [5]
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The Parable of the Wedding Feast is one of the parables of Jesus and appears in the New Testament in Luke 14:7–14. It directly precedes the Parable of the Great Banquet in Luke 14:15–24. [ 1 ] [ 2 ] In the Gospel of Matthew , the parallel passage to the Gospel of Luke 's Parable of the Great Banquet is also set as a wedding feast ( Matthew ...
Late 13th-century Byzantine mosaics of the Hagia Sophia showing the image of Christ Pantocrator.. Much of the art surviving from Europe after the fall of the Western Roman Empire is Christian art, although this is in large part because the continuity of church ownership has preserved church art better than secular works.
Jan Luyken: the man without a wedding garment, Bowyer Bible. The Parable of the Great Banquet or the Wedding Feast or the Marriage of the King's Son is a parable told by Jesus in the New Testament, found in Matthew 22:1–14 [1] and Luke 14:15–24. [2] It is not to be confused with a different Parable of the Wedding Feast recorded in the ...
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.