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Female masks of the Punu people of Gabon, for example, have long curved eyelashes, almond-shaped eyes, thin chin, and traditional ornaments on their cheeks, as all these are considered good-looking traits. [17] Feminine masks of the Baga people have ornamental scars and breasts. In many cases, wearing masks that represent feminine beauty is ...
A Punu-Lumbo mask. A Punu-Lumbo mask is a tribal mask native to the Ogooué River basin in Gabon, especially in the south in Ngounié Province. [1] The masks are extremely valuable to collectors of African art, and have been sold at Sotheby's for well over $400,000. [2]
With access to a wide range of native bird species, Amazonian indigenous peoples excel at feather work, creating brilliant colored headdresses, jewelry, clothing, and fans. Iridescent beetle wings are incorporated into earrings and other jewelry. Weaving and basketry also thrive in the Amazon, as noted among the Urarina of Peru. [46]
The Benin ivory mask is a miniature sculptural portrait in ivory of Idia, the first Iyoba (Queen Mother) of the 16th century Benin Empire, taking the form of a traditional African mask. [1] The masks were looted by the British from the palace of the Oba of Benin in the Benin Expedition of 1897 .
The reason they create art with these types of animals is because of the details, and the "natural symbols". They represent "leadership, healing, divination, problem-solving, rites of passage, and rituals" (Roberts 1995; 16). They create this artwork on walls, craving on drums, masks, and pots.
Chhau Mask dance performing in the field Tribal bamboo mask from Dinajpur Mask or Mukhosh of West Bengal, as it is known for has a mysterious history. Mostly it uses for the Mask Dance, the folk dance of West Bengal. The wearing of these masks is connected with early types of folklore and religion. There are various type of masks made up of clay, wood, sponge wood or shola, pith, paper, metal ...
Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred.
Chhau artist Anil Mahato says, “Shiva danced the tandava : wearing his mask brings in that frisson for me.” [4] One could perhaps imagine the centrality of the mask to Chhau dance with the Thalia or the Melpomene masks used in Greek Comedy and Tragedy theatres respectively, or perhaps the masks used in mystery plays during the middle ages [5]
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