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This Way for the Gas, Ladies and Gentlemen, also known as Ladies and Gentlemen, to the Gas Chamber, is a collection of short stories by Tadeusz Borowski, which were inspired by the author's concentration camp experience. The original title in the Polish language was Pożegnanie z Marią (Farewell to Maria). [1]
Ichi-go ichi-e (Japanese: 一 期 一 会, pronounced [it͡ɕi.ɡo it͡ɕi.e], lit. "one time, one meeting") is a Japanese four-character idiom that describes a cultural concept of treasuring the unrepeatable nature of a moment. The term has been roughly translated as "for this time only", and "once in a lifetime".
It tells the story of the hunt for a runaway bear, Atta Troll, who symbolises many of the attitudes Heine despised, including a simple-minded egalitarianism and a religious view which makes God in the believer's image. Atta Troll conceives God as an enormous, heavenly polar bear. Atta Troll's cubs embody the nationalistic views Heine loathed. [54]
In 2013, Pope Francis surprised many by quoting Bloy during his first homily as pope: "When one does not confess Jesus Christ, I am reminded of the expression of Léon Bloy: 'He who does not pray to the Lord prays to the devil.' When one does not confess Jesus Christ, one confesses the worldliness of the devil." [3]
"Roads of Destiny" "The Guardian of the Accolade" "The Discounters of Money" "The Enchanted Profile" "'Next to Reading Matter'" "Art and the Bronco"
One Way Passage is a 1932 American pre-Code romantic film starring William Powell and Kay Francis as star-crossed lovers, directed by Tay Garnett and released by Warner Bros. The screenplay by Wilson Mizner and Joseph Jackson is based on a story by Robert Lord , who won the Academy Award for Best Story .
His Henri III et sa cour (1829) was the first of the great Romantic historical dramas produced on the Paris stage, preceding Victor Hugo's more famous Hernani (1830). Produced at the Comédie-Française and starring the famous Mademoiselle Mars , Dumas's play was an enormous success and launched him on his career.
O. R. Taylor's critical edition of La Henriade [5] devotes a full volume to an introduction, accounting for the germination of the idea and its publication history, the contextual theory of the epic and sources both literary and in recent history and contemporary events, and the nineteenth-century decline in the poem's popularity. Taylor ...