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In 1866, Sisley began a relationship with Eugénie Lescouezec (1834–1898; usually known as Marie Lescouezec), a Breton living in Paris. The couple had two children: son Pierre (born 1867) and daughter Jeanne (1869). [2] At the time, Sisley lived not far from Avenue de Clichy and the Café Guerbois, the gathering-place of many Parisian painters.
The Church at Noisy-le-Roi, Autumn Effect or The Bell-Tower at Noisy-le-Roi, Autumn Effect is an Impressionist painting by Alfred Sisley. It was produced in autumn 1874 on the return from his stay in the United Kingdom the previous July to October, [ 1 ] which had been paid for by his patron Jean-Baptiste Faure . [ 2 ]
The Moret Church series of some dozen oil paintings was executed in 1893/94 by the English Impressionist artist Alfred Sisley.The church building depicted in each of the paintings is the Church of Notre-Dame in the village of Moret-sur-Loing, Seine-et-Marne, France, where Sisley had elected to see out his days until his death in 1899.
The Church in Moret, Evening: 1893 83 x 64 Private collection The Church at Moret (Evening) 1894 101 x 82 Petit Palais, Paris Church at Moret after the Rain: 1894 73 x 60.5 Detroit Institute of Arts: The Church at Moret, Winter: 1893–94 81.3 x 54.3 Budapest Museum of Fine Arts: The Church at Moret: c.1893 55 x 46 Calvet Museum, Avignon
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Claude Monet, Intérieur, Après dîner, showing Sisley's home (1868–1869), Washington, National Gallery of Art. Despite being born in Paris, Sisley did not find it easy to produce views of the city, instead preferring industrial subjects such as View of the Canal Saint-Martin or depicting the city from a distance as in this work.
The Bridge at Villeneuve-la-Garenne is an oil on canvas painting by Alfred Sisley created in 1872. It depicts a suspension bridge across the Seine looking toward the village of Villeneuve-la-Garenne. Holidaymakers can be seen on the river and along the riverbank. The work is now in the Metropolitan Museum of Art in New York City. [1]
Regatta at Molesey near Hampton Court is an 1874 painting by Alfred Sisley, now in the Musée d'Orsay, to which it was allocated in 1986. [1] The work shows the Molesey Regatta on the River Thames, begun by an amateur sportsman in 1873 and still in existence.