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Designs and patterns were created over the base that was chosen. The main types of masks included masks with a stick (which one could hold to keep the mask in front of their face), the head mask, the full-face mask, and the half face mask. [7] Masquerade masks have been used in classics such as The Phantom of the Opera, Romeo and Juliet, Lone ...
A carnival mask. Domino masks are worn during Carnival, e.g. at the Venetian Carnival, where it is part of the more extensive black (though occasionally white and blue) domino costume worn by both male and female participants, which accomplishes the requirement of the masquerade that participants be masked or otherwise disguised, and achieves the elements of adventure, conspiracy, intrigue ...
The mask, like most character masks was made out of some sort of papier-mâché. [18] Now, most cow costumes consist of a cream-coloured loose shirt with tight pants that have gold accents. [18] The full papier-mâché mask was also replaced by a hat or headband with cow horns. [18]
The complex designs of these suits are unique to the Mardi Gras Indian artistic community. [16] [17] In addition to Mardi Gras Day, many of the tribes also parade on Saint Joseph's Day (March 19) and the Sunday nearest to Saint Joseph's Day ("Super Sunday"). Traditionally, these were the only times Mardi Gras Indians were seen in public in full ...
The Mmanwu practice is limited to male participants and there are strict rules governing how each gender interacts with the masquerade. Men are solely responsible for the creation, care, and use of the masks. [6] The induction of members into mask-making societies serves as a male rite of passage in some Igbo societies. [7]
Gebande is the most sacred examples of Dan masks while Genome is a lower rank of masks. [4] [5] The classifications relate to the content which the Dan attribute to the mask, rather than the appearance of the mask. Gebande masks can be divided into a series of subgroups and categories: Subgroups: Singers’ masks; Dancers’ masks; Storytellers ...
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