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The Indian modern artist, Nandalal Bose, frequently drew from alpanas and their traditional motifs in his art, especially floral motifs such as the autumn flower. [16] [4] Abanindranath Tagore, the painter and writer, wrote a study of alpanas in his book, Banglar Broto, and compared their motifs to hieroglyphs. [14] The film-maker, Satyajit Ray ...
The flame and the lotus: Indian and Southeast Asian art from the Kronos collections. New York: The Metropolitan Museum of Art. ISBN 978-0-87099-374-9. fully online; Smith, Vincent A. (1930). A History Of Fine Art In India And Ceylon. The Clarendon Press, Oxford. Welch, Stuart Cary (1985). India: art and culture, 1300–1900. New York: The ...
Ancient temples and palaces in Kerala, India, display an abounding tradition of mural paintings mostly dating back between the 9th to 12th centuries CE when this form of art enjoyed royal patronage. The scriptural basis of these paintings can be found in the Sanskrit texts, Chithrasoothram - (Chitrasutra is a part of the Vishnu Dharmottara ...
The critics also had an important role as curators of important exhibitions, re-defining modernism and Indian-art. Indian Art got a boost with the economic liberalization of the country since the early 1990s. Artists from various fields now started bringing in varied styles of work. Post-liberalization Indian art thus works not only within the ...
Kolam (Tamil: கோலம், Malayalam: കോലം, Kannada: ರಂಗೋಲೆ), also known as Muggu (Telugu: ముగ్గు), Tarai Alangaram (Tamil: தரை அலங்காரம்) and Rangoli (Kannada: ರಂಗೋಲೆ), is a form of traditional decorative art that is drawn by using rice flour as per age-old conventions. It ...
viseshakacchedya — art of painting the face and body with colored unguents and cosmetics. tandula-kusuma-bali-vikara — art of preparing offerings from rice and flowers. pushpastarana — art of making a covering of flowers for a bed. dasana-vasananga-raga — art of applying preparations for cleansing the teeth, clothes, and painting the body.
Chowk-poorana mud wall art in Punjab is given shape by the peasant women of the state. In courtyards, this art is drawn using a piece cloth. The art includes drawing tree motifs, flowers, ferns, creepers, plants, peacocks, palanquins, geometric patterns along with vertical, horizontal and oblique lines. These arts add to the festive atmosphere. [5]
The kalka, or paisley motif, originated in Persia and Kashmir and has become an integral part of the subcontinental decorative motif. [21] It can be compared to a stylised leaf, mango, or flame. The kalka is an attractive motif, and a number of variations have been experimented with. Similar motifs can be found in traditional Kashmiri shawls.