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Oedipus is an opera in two parts composed by Wolfgang Rihm to a German-language libretto that he based on the Greek tragedy Oedipus Rex by Sophocles and related texts by Friedrich Nietzsche and Heiner Müller. The work is characterised as Musiktheater (Music drama).
Oedipus describes the riddle of the Sphinx by Jean-Auguste-Dominique Ingres, c. 1805. In classical psychoanalytic theory, the Oedipus complex (also spelled Œdipus complex) refers to a son's sexual attitude towards his mother and concomitant hostility toward his father, first formed during the phallic stage of psychosexual development.
"Music for a While" is a da capo aria for voice (usually soprano or tenor), harpsichord and bass viol by the English Baroque composer Henry Purcell. Based on a repeating ground bass pattern, it is the second of four movements from his incidental music ( Z 583) to Oedipus , a version of Sophocles' play by John Dryden and Nathaniel Lee ...
Oedipus Rex, also known by its Greek title, Oedipus Tyrannus (Ancient Greek: Οἰδίπους Τύραννος, pronounced [oidípuːs týrannos]), or Oedipus the King, is an Athenian tragedy by Sophocles. While some scholars have argued that the play was first performed c. 429 BC, this is highly uncertain. [1]
Discourse, in the first place, refers to a point where speech and language intersect. The four discourses represent the four possible formulations of the symbolic network which social bonds can take and can be expressed as the permutations of a four-term configuration showing the relative positions—the agent, the other, the product and the truth—of four terms, the subject, the master ...
The Gospel at Colonus is an African-American musical version of Sophocles's tragedy, Oedipus at Colonus. The show was created in 1983 by the experimental-theatre director Lee Breuer, one of the founders of the seminal American avant-garde theatre company Mabou Mines, and composer Bob Telson.
And writing about “Music,” the latest beautiful and strange deep-niche arthouse artifact from uncompromising formalist Angela Schanelec, feels like a similarly doomed proposition. The ...
It is based on the mythological tale of Oedipus, as told by Sophocles in Oedipus the King. Enescu had the idea to compose an Oedipus-inspired opera even before finding a libretto and began to sketch music for it in 1910. The first-draft libretto from Fleg arrived in 1913. Enescu completed the music in 1922 and the orchestration in 1931.