Ad
related to: byzantine religious icons and symbols
Search results
Results from the WOW.Com Content Network
The Byzantine Iconoclasm (Ancient Greek: Εἰκονομαχία, romanized: Eikonomachía, lit. 'image struggle', 'war on icons') were two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Ecumenical Patriarchate (at the time still comprising ...
Byzantine flags and insignia. For most of its history, the Eastern Roman (Byzantine) Empire did not use heraldry in the Western European sense of permanent motifs transmitted through hereditary right. [1] Various large aristocratic families employed certain symbols to identify themselves; [1] the use of the cross, and of icons of Christ, the ...
Iconoclasm. Icon of the Triumph of Orthodoxy depicting the "Triumph of Orthodoxy" over iconoclasm under the Byzantine empress Theodora and her son Michael III, late 14th to early 15th century. Iconoclasm (from Greek: εἰκών, eikṓn, 'figure, icon' + κλάω, kláō, 'to break') [i] is the social belief in the importance of the ...
Religious art was not, however, limited to the monumental decoration of church interiors. One of the most important genres of Byzantine art was the icon, an image of Christ, the Virgin, or a saint, used as an object of veneration in Orthodox churches and private homes alike. Icons were more religious than aesthetic in nature: especially after ...
Christ Pantocrator (Sinai) Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all), it is regarded by historians and scholars among the most important and recognizable works ...
Religious images or icons were made in Byzantine art in many different media: mosaics, paintings, small statues and illuminated manuscripts. [1] Monasteries produced many of the illuminated manuscripts devoted to religious works using the illustrations to highlight specific parts of text, a saints' martyrdom for example, while others were used ...
Religious mosaics show similar subject matter to that found in other surviving religious Byzantine art in painted icons and manuscript miniatures. Floor mosaics often have images of geometrical patterns, often interspersed with animals. Scenes of hunting and venatio, arena displays where animals are killed, are popular.
The usage of gold leaf in Byzantine artwork is indicative that the work is meant to be divine and spiritual. [14] The icon was created by incorporating egg tempera on gold leaf over a wooden panel. [4] The wood panel then is covered with gesso and linen. [4] [5] The icon has a height of 37.8 cm, a width of 31.4 cm and a depth of 5.3 cm. [4]
Ad
related to: byzantine religious icons and symbols