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A harmonizer is a type of pitch shifter that combines the pitch-shifted signal with the original to create a two or more note harmony. The Eventide H910 Harmonizer, [2] released in 1975, was one of the first commercially available pitch-shifters and digital multi-effects units. On November 10, 1976, Eventide filed a trademark registration for ...
A harmonizer is a type of sophisticated pitch shifter that combines the altered pitch with the original pitch to create a two note harmony based on the original pitch, or even with some pedals, three note harmony. Some hamonizers are able to create chorus-like effects by adding very tiny shifts in pitch.
Eventide DDL 1745 Digital Delay Line Studio Processor. Eventide Inc. (also known earlier as Eventide Clock Works Inc.) is an American pro audio, broadcast and communications company whose audio division manufactures digital effects processors, digital signal processor (DSP) software, and guitar effects pedals.
Harmonizers or harmonizer may refer to: Harmonizer, a type of pitch shifter; Music. Harmonize (musician)
Peter Frampton's talk box. A talk box (also spelled talkbox and talk-box) is an effects unit that allows musicians to modify the sound of a musical instrument by shaping the frequency content of the sound and to apply speech sounds (in the same way as singing) onto the sounds of the instrument.
Over the years, the company's boutique pedals would be used by notable musicians including Lou Reed and R.E.M. [3] The company's growth was never steady; Blanche moved Frantone repeatedly, being gentrified out of several NYC-area locations. [4] In the early 1990s, Blanche built an effects pedal for herself named the "Fuzzy-Wuzzy".
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion.
Another form of nonchord tone is a pedal point or pedal tone (PD) or note, almost always the tonic or dominant, which is held through a series of chord changes. The pedal point is almost always in the lowest voice (the term originates from organ playing), but it may be in an upper voice; then it may be called an inverted pedal.