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My Boy Jack" is a 1916 poem by Rudyard Kipling. [1] Kipling wrote it for Jack Cornwell, the 16-year-old youngest recipient of the Victoria Cross, who stayed by his post on board the light cruiser HMS Chester at the Battle of Jutland until he died. Kipling's son John was never referred to as "Jack" [citation needed]. The poem echoes the grief of ...
The Sons of Martha" is a poem written by Rudyard Kipling. It is inspired by the biblical story of Jesus at the home of Martha and Mary . It celebrates the care and dedication of workers – engineers, mechanics, and builders – to provide for the safety and comfort of others.
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McAndrew's Hymn" is a poem by English writer Rudyard Kipling (1865–1936). It was begun in 1893, and first published in December 1894 in Scribner's Magazine. [1] [2] It was collected in Kipling's The Seven Seas of 1896. Some editions title the poem "M'Andrew's Hymn". [Note 1]
It has long been alleged that Rudyard Kipling was a prominent supporter of Colonel Reginald Dyer, who was responsible for the Jallianwala Bagh massacre in Amritsar (in the province of Punjab), and that Kipling called Dyer "the man who saved India" and initiated collections for the latter's homecoming prize. [160]
North End House, Rottingdean, John Kipling's birthplace John Kipling's grave. John Kipling (17 August 1897 – 27 September 1915) was the only son of British author Rudyard Kipling. In the First World War, his father used his influence to get him a commission in the British Army despite being decisively rejected for poor eyesight.
The Son of God Goes Forth to War (1812) is a hymn by Reginald Heber [1] which appears, with reworked lyrics, in the novella The Man Who Would Be King (1888), by Rudyard Kipling and, set to the Irish tune The Moreen / The Minstrel Boy, in the film The Man Who Would Be King (1975), directed by John Huston. [2]
"The Gods of the Copybook Headings" is a poem by Rudyard Kipling, characterized by biographer Sir David Gilmour as one of several "ferocious post-war eruptions" of Kipling's souring sentiment concerning the state of Anglo-European society. [1] It was first published in the Sunday Pictorial of London on 26 October 1919.