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The Parthenon frieze is the high-relief Pentelic marble sculpture created to adorn the upper part of the Parthenon's naos. It was sculpted between c. 443 and 437 BC, [ 1 ] most likely under the direction of Phidias .
Phidias Showing the Frieze of the Parthenon to his Friends (1868) by Sir Lawrence Alma-Tadema. Phidias or Pheidias (/ ˈ f ɪ d i ə s /; Ancient Greek: Φειδίας, Pheidias; c. 480 – c. 430 BC) was an Ancient Greek sculptor, painter, and architect, active in the 5th century BC.
The sayings form part of the Stations of the Cross, a Christian meditation that is often used during Lent, Holy Week and Good Friday. The Dominican author Timothy Radcliffe sees the number seven as significant, as the number of perfection in the Bible. He writes that as God created the world in seven days, "these seven words belong to God's ...
The Temple of Olympian Zeus, Athens, (174 BC–132 AD), with the Parthenon (447–432 BC) in the background. This list of ancient Greek temples covers temples built by the Hellenic people from the 6th century BC until the 2nd century AD on mainland Greece and in Hellenic towns in the Aegean Islands, Asia Minor, Sicily and Italy ("Magna Graecia"), wherever there were Greek colonies, and the ...
Connelly's scholarship focuses on Greek art, myth, and religion, and includes a groundbreaking reinterpretation of the Parthenon and its sculptures. [3] [4] [5] In The Parthenon Enigma: A New Understanding of the West's Most Iconic Building and the People who Made It, Connelly presents her reading of the Parthenon's sculptural program within its full historic, mythological, and religious contexts.
A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. [1] [2] In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice.
The Parthenon Frieze is a marble sculpture in the Parthenon in the Acropolis of Athens that has a portion that is interpreted to be depicting people of Athens participating in the religious procession that takes place during the Panathenaea. [25]
On the Parthenon Frieze, none of the maidens (who may be identified by their long hair) are depicted carrying the kanoun and all of them wear the festival mantle. However, Linda Jones Roccos suggests that the maidens wearing both peplos and mantle implies they are kanephoroi, which would be consistent with the evidence of contemporary vase ...