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Title page of the first edition of the score, Vienna 1799. The three String Trios, Op. 9 were composed by Ludwig van Beethoven in 1797–98. He published them in Vienna in 1799, with a dedication to his patron Count Johann Georg von Browne (1767–1827). [1]
spirito Spirit, con spirito: with spirit, with feeling spiritoso Spirited staccato Making each note brief and detached; the opposite of legato. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. stanza A verse of a song stem Vertical line that is directly connected to the ...
1. Slightly less easy than adagio (so slightly faster); 2. a short adagio composition Affrettando: becoming hurried: Accelerating Alla marcia: as a march: In strict tempo at a marching pace (e.g. 120 BPM) Allargando: broadening: Slowing down and broadening; becoming more stately and majestic, possibly louder Allegro: joyful; lively and fast
The sonata contains three movements: [1] Allegro con spirito, D major, 4 4; Andantino cantabile, G major, 3 4; Allegretto 2 4 — Allegro 6 8, D major
Three (Allegro con spirito, Andante con espressione, Rondeau – Allegro) Wolfgang Amadeus Mozart 's Piano Sonata No. 9 in D major , K . 311 / 284c, was written on the composer's stay in Augsburg and Mannheim in November-December 1777 , and is contemporaneous with his Sonata No. 7 in C Major K. 309 (Mozart wrote his Sonata K. 310 in the summer ...
[1] Prominent musicologist Donald Francis Tovey has called this work the crowning achievement and culmination of Beethoven's early "grand" piano sonatas (the "grand" modifier was applied by Beethoven to sonatas with four movements instead of three.) Subsequent sonatas find Beethoven experimenting more with form and concept. [1]
Three (Allegro con spirito, Andante, Molto allegro) The Sonata for Two Pianos in D major , K. 448 (375a), is a work composed by Wolfgang Amadeus Mozart in 1781, when he was 25. It is written in sonata-allegro form , with three movements .
The opening of the movement begins in a way that seemingly contradicts the allegro con spirito marking. Violin II, viola, and cello sustain a tonic chord while the first violin plays the melody (the "sunrise" motif) on top. In measure 7, the same instruments sustain a dominant seventh chord while the first violin again plays a rising solo on top.