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Title page of the first edition of the score, Vienna 1799. The three String Trios, Op. 9 were composed by Ludwig van Beethoven in 1797–98. He published them in Vienna in 1799, with a dedication to his patron Count Johann Georg von Browne (1767–1827). [1]
spirito Spirit, con spirito: with spirit, with feeling spiritoso Spirited staccato Making each note brief and detached; the opposite of legato. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. stanza A verse of a song stem Vertical line that is directly connected to the ...
Con sordino: with sourdine (mute) With mute applied, esp. to string instruments: Senza sordino: without sourdine (mute) With mute removed Spiccato: separated, distinct; standing out: With a stringed instrument, played by bouncing the bow lightly on the strings Staccato: detached
The quartet consists of four movements: . Allegro con brio (); Adagio affettuoso ed appassionato (); Scherzo: Allegro molto (F major); Allegro (F major) The theme of the finale is almost directly borrowed from the finale of his earlier string trio, Op. 9, No. 3 in C minor; the themes are very closely related.
The exposition, marked Allegro di molto con brio, is in 2 2 time ( alla breve ) in the home key of C minor and features three themes. Theme 1 features an aggressive rocket theme covering two octaves , accompanied with constant tremolo octaves in the left hand.
Presto • Poco più mosso del • Tempo I; Andante; Allegro con brio • Poco meno mosso • Tempo I • Poco meno mosso • Allegro con brio; The work is highly classical in design as it opens with a sonata movement which is followed by a scherzo, a slow movement, and a finale. The violin part is replete with virtuosic display but is also ...
The sonata is in four movements, and usually takes twenty minutes to perform: Allegro energico; Allegro vivace e leggero; Adagio mesto; Fuga: Allegro con spirito; The sonata is very difficult to play; [15] Barber, himself a pianist, was unable to adequately play it, [16] [17] and the Music Library Association noted in 1986 that the sonata was "once considered almost too demanding a work". [18]
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