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Lamassu at the Iraq Museum, Baghdad.. The goddess Lama appears initially as a mediating goddess who precedes the orans and presents them to the deities. [3] The protective deity is clearly labelled as Lam(m)a in a Kassite stele unearthed at Uruk, in the temple of Ishtar, goddess to which she had been dedicated by king Nazi-Maruttash (1307–1282 BC). [9]
On 8 March 2015 the Islamic State of Iraq and the Levant reportedly started the plunder and demolition of Dur-Sharrukin, according to the Kurdish official from Mosul Saeed Mamuzini. [2] The Iraqi Tourism and Antiquities Ministry launched the related investigation on the same day. [2] Only one looting tunnel has been found. [3]
The lamassu erected at the entrance of the Nergal Gate at Nineveh are surrounded by relief sculpture that depicts the stages of transport of the human-headed bulls from quarries in Balatai. [6] Lamassu and Balawat Gate in the British Museum. Before the release of the ISIL video on 26 February 2015, the lamassu were in various states of ...
Portion of the monumental Sargonid royal emblem from Dur-Sharrukin, consisting of a hero grasping a lion, flanked by two lamassu (only one exhibited here). Exhibited at the Louvre Royal iconography, symbols associated with the Assyrian monarchy, in the Sargonid period mostly followed on from trends established during the preceding nearly two ...
Head of a bull that once guarded the entrance to the Hundred-Column Hall in Persepolis A lamassu from the palace of Sargon II at Dur-Sharrukin The head of this Sumerian female was excavated at Khafajah (4th season) by the Oriental Institute, now in the Sulaymaniyah Museum, Iraqi Kurdistan
A lamassu from the palace of Sargon II at Dur-Sharrukin. It is from this general period that the Cilician Indo-Anatolian term Surai first appears in historical record in what is now called the Çineköy inscription, not in reference to the region of Aramea now encompassing modern Syria in the Levant, but specifically and only to Assyria itself.
Assyrian palaces of the Iron Age, especially at Kalhu/Nimrud, Dur Sharrukin/Khorsabad and Ninuwa/Nineveh, have become famous due to the Assyrian palace reliefs, extensive pictorial and textual narrative programs on their walls, all carved on stone slabs known as orthostats. These pictorial programs incorporated either cultic scenes or the ...
A Lamassu from the Assyrian city of Dur-Sharrukin (Oriental Institute (Chicago)) Scholars of Assyriology develop proficiency in the two main languages of Mesopotamia: Akkadian (including its major dialects) and Sumerian.