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A lai (or lay lyrique, "lyric lay", to distinguish it from a lai breton) is a lyrical, narrative poem written in octosyllabic couplets that often deals with tales of adventure and romance. Lais were mainly composed in France and Germany, during the 13th and 14th centuries. The English term lay is a 13th-century loan from Old French lai.
This includes the songs of chansonnier, chanson de geste and Grand chant; court songs of the late Renaissance and early Baroque music periods, air de cour; popular songs from the 17th to 19th century, bergerette, brunette, chanson pour boire, pastourelle, and vaudeville; art song of the romantic era, mélodie; and folk music, chanson populaire ...
Loreena McKennitt has set two Yeats poems to music: "Stolen Child" (Also set to music by The Waterboys, although mostly spoken) "The Two Trees" "The Song of a Wandering Aengus" is set to music by Caroline Herring. '5 Songs on Poems by W.B.Yeats' composed by Dutch composer Carolien Devilee (A Faery Song, He wishes for the clothes of heaven, The ...
Pages in category "French poems" The following 102 pages are in this category, out of 102 total. ... Song of Roland; The Swan (Baudelaire) T. Le Testament;
"Beau soir" (French for Beautiful Evening, or Evening Fair), L. 84, is a French art song written by Claude Debussy, first published in 1891. It is a setting of a poem by Paul Bourget . Lyrics
Recordings for children were intertwined with recorded music for as long as it has existed as a medium. The first words ever recorded (in 1860 by Édouard-Léon Scott de Martinville) was the first verse of the French folk/children's song "Au Clair de la Lune".
The eight phases of The Song of Roland in one picture.. The chanson de geste (Old French for 'song of heroic deeds', [a] from Latin: gesta 'deeds, actions accomplished') [1] is a medieval narrative, a type of epic poem that appears at the dawn of French literature. [2]
Plaque commemorating the site where the poem was written. Il n’y a pas d’amour heureux (transl. There Is no Happy Love) is a poem written by Louis Aragon in January 1943, and published in La Diane Française in 1944. The poem reflects on the inherent contradiction between love and the pain that it inevitably brings to those who experience it.