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The poem was published in 1888 in his first volume of poems, Book of Verses, with no title, [12] but would later be reprinted in 19th-century newspapers under various titles, including: "Myself" [ 13 ]
The poem is known as Clare's "last lines" [4] and is his most famous. [5] The poem's title is used for a 2003 collection of Clare's poetry, I Am: The Selected Poetry of John Clare, edited by his biographer Jonathan Bate, [6] and it had previously been included in the 1992 Columbia University Press anthology, The Top 500 Poems. [7]
"I Am – Somebody" is a poem often recited by Reverend Jesse Jackson, and was used as part of PUSH-Excel, a program designed to motivate black students. [ 1 ] A similar poem was written in the early 1940s by Reverend William Holmes Borders , Sr., senior pastor at the Greater Wheat Street Baptist Church and civil rights activist in Atlanta ...
"I am the L ORD thy God" (KJV, also "I am Yahweh your God" NJB, WEB, Hebrew: אָֽנֹכִ֖י֙ יְהוָ֣ה אֱלֹהֶ֑֔יךָ, romanized: ’Ānōḵî YHWH ’ĕlōheḵā, Ancient Greek: ἐγώ εἰμι ὁ Κύριος ὁ Θεός σου, romanized: egṓ eimi ho Kúrios ho Theós sou) is the opening phrase of the Ten Commandments, which are widely understood as moral ...
It is connected to the passage in Exodus 3:14 in which God gives his name as אֶהְיֶה אֲשֶׁר אֶהְיֶה , Ehyeh Asher Ehyeh, translated most basically as "I am that I am" or "I shall be what I am". In the Hebrew Bible (Exodus 3:14), it is the personal name of God, revealed directly to Moses. [1]
John Allyn McAlpin Berryman (born John Allyn Smith, Jr.; October 25, 1914 – January 7, 1972) was an American poet and scholar.He was a major figure in American poetry in the second half of the 20th century and is considered a key figure in the "confessional" school of poetry.
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The poem was created as part of a friendly competition in which Shelley and fellow poet Horace Smith each created a poem on the subject of Egyptian pharaoh Ramesses II under the title of Ozymandias, the Greek name for the pharaoh. Shelley's poem explores the ravages of time and the oblivion to which the legacies of even the greatest are subject.