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The Gun Club were formed by Jeffrey Lee Pierce (guitar and vocals) with friend, chief of the Ramones fan club and fellow music enthusiast Brian Tristan, also known as Kid Congo Powers. [3] Pierce was the former head of the Blondie fan club in Los Angeles and previously a member of the Red Lights, the E-Types, the Individuals , Phast Phreddie ...
The Las Vegas Story is the third studio album by American rock band the Gun Club, released in 1984. [4] This album saw the return of founding member and lead guitarist Kid Congo Powers, after a three-year stint with the Cramps. The album was dedicated to Debbie Harry "for her love, help and encouragement."
Powers was active with the Gun Club until their 1996 dissolution, and Pierce died in 1996. Parallel to his final stint in the Gun Club, Powers formed Congo Norvell with vocalist Sally Norvell. The band explored a fusion of cabaret and rock styles from 1993 to 1998, and released three full-length albums.
So the Gun Club filled the booking and recorded the Death Party EP with a bassist called Jimmy Joe Uliana who was a friend of Dee Pop's. Patricia Morrison was the Gun Club's bassist at the time, but didn't play on the EP because of the recording session's spur of the moment nature.
The Gun Club. Jeffrey Lee Pierce - vocals, slide guitar, backing vocals on "Jack on Fire" Ward Dotson - guitar, slide guitar, backing vocals on "Jack on Fire" Rob Ritter - bass; Terry Graham - drums; Additional musicians. Tito Larriva - producer, violin on "Promise Me" Chris D. - producer, backing vocals on "Jack on Fire"
Mother Juno is an album by the Gun Club, released in 1987. [4] [5] It was produced by Robin Guthrie of the Cocteau Twins. "Yellow Eyes" was originally entitled "Funky Junkie"; "Nobody's City" was originally "Sleepy Times Blues". The original recordings of Mother Juno were released as Mother Berlin in 2015 on Bang! Records, containing an ...
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[9] The Spin Alternative Record Guide concluded that, "if the Gun Club's execution on the elegiac Lucky Jim directly recalls the Delta only once ('Anger Blues'), the album is permeated with a sadness and displacement fundamental to the deep blues."