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See-through graphics on the outside of a window See-through graphics: the view outside is unobstructed. Perforated self-adhesive window films are often used to create see-through graphics. [1] A graphic is printed on the front side of the film which contains circular holes (perforations) covering up to fifty percent of the surface area.
The thicker window films known as safety and security window film are designed to perform under extreme conditions, and as such there are specific standard criteria these films should meet, such as American standards ANSI Z.97, CPSC 16 CFR 1201, Cat II (400 ft-lb), and the British Standards BS 6206 (Class A, B, C).
Filming for the movie began in March 1992, with a grant of $300,000 from the Israeli Film Fund and a grant from the Israel Broadcasting Authority. Filming was completed in June 1992, and the film was released in theaters in September. Life According to Agfa is considered one of the most important and successful films of director Shmuel (Mooli ...
The Gila is the same wild place it was 1,000 years ago, and with conservation efforts like those lead by Travis Perry of Furman University, one can only hope it will remain the same for a thousand ...
A celo cucoloris casting a shadow Crew members on National Treasure using a cookie. In lighting for film, theatre and still photography, a cucoloris (occasionally also spelled cuculoris, kookaloris, cookaloris or cucalorus) is a light modifier (tool, device) for casting shadows or silhouettes to produce patterned illumination.
The Valley of Gwangi is a 1969 American fantasy Western film produced by Charles H. Schneer and Ray Harryhausen, directed by Jim O'Connolly, written by William Bast, [1] and starring James Franciscus, Richard Carlson, and Gila Golan.
A Translight or Translite is a large illuminated film backing typically used as a backdrop in the film and TV industry. The name of Translite originally came from the black-and-white display film made by the Eastman Kodak Company. Pacific Studios [1] in Los Angeles was the sole producer of Translites from about 1950 until about 1979.
In filmmaking, a wipe is a type of film transition where one shot replaces another [1] by travelling from one side of the frame to another or with a special shape. If the wipe proceeds from two opposite edges of the screen toward the center or vice versa, it is known as a barn door wipe (named for its similarity to a pair of doors opening or ...
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