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The Shang dynasty (Chinese: 商朝; pinyin: Shāngcháo), also known as the Yin dynasty (殷代; Yīn dài), was a Chinese royal dynasty that ruled in the Yellow River valley during the second millennium BC, traditionally succeeding the Xia dynasty and followed by the Western Zhou dynasty. The classic account of the Shang comes from texts such ...
Certain characteristics of the Shang state religion have been identified as prefiguring later elements of Chinese bureaucratic culture. [16] [17] The Shang articulated an image of a supreme being that simultaneously led a body of lesser deities, including both ancestor and nature spirits, while also being a composite of all of them.
From these remains archaeologists have been able to confirm that this was the spiritual and cultural center of the Shang dynasty. Burial pit at Tomb of Lady Fu Hao. The best preserved of the Shang dynasty royal tombs unearthed at Yinxu is the Tomb of Fu Hao. The extraordinary Lady Hao was a military leader and the wife of Shang King Wu Ding.
Rib of a rhinoceros killed in a royal hunt, bearing an inscription including the character 商 (Shāng, fifth character from the bottom on the right) [2]. The Late Shang, also known as the Anyang period, is the earliest known literate civilization in China, spanning the reigns of the last nine kings of the Shang dynasty, beginning with Wu Ding in the second half of the 13th century BC and ...
They collected some specimens and confirmed that it was indeed of Shang dynasty, and older than the Shang city of Yinxu in Anyang. Erligang is the type site of Erligang culture. This is the area located outside the giant walls of the ancient city. Starting in 1952, the first formal archaeological excavations at Erligang began.
Miniature bronze chariot with an axe, Han dynasty Scythed Chinese chariot axle Chariot parts, Zhou dynasty. In ancient China the chariot was used in a primary role from the time of the Shang dynasty until the early years of the Han dynasty (c. 1200–200 BCE) when it was replaced by cavalry and fell back into a secondary support role.
From dragon scales to the five elements of Chinese philosophy, production designer Sue Chan worked to incorporate numerous element into the set details of Marvel’s “Shang-Chi and the Legend of ...
Already in Shang theology, the multiplicity of gods of nature and ancestors were viewed as parts of Di, and the four fāng (方; 'directions') and their fēng (風; 'winds') as his cosmic will. [8] The Zhou dynasty, which overthrew the Shang, was more rooted in an agricultural world view, and they emphasised a more universal idea of Tian. [7]