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Furniture can be a product of design and can be considered a form of decorative art. In addition to furniture's functional role, it can serve a symbolic or religious purpose. It can be made from a vast multitude of materials, including metal , plastic , and wood .
Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlap with the decorative arts, and in modern parlance they are both often placed under the umbrella category of design .
Furniture can be a product of artistic design and is considered a form of decorative art. [4] In addition to furniture's functional role, it can serve a symbolic or religious purpose. Domestic furniture works to create, in conjunction with furnishings such as clocks and lighting, comfortable and convenient interior spaces.
Modern art reached its peak during the 1950s and '60s, which is why designers and decorators today may refer to modern design as being "mid-century". [44] Modern art does not refer to the era or age of design and is not the same as contemporary design, a term used by interior designers for a shifting group of recent styles and trends. [44]
Conceptual art is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic and material concerns. The inception of the term in the 1960s referred to a strict and focused practice of idea-based art that often defied traditional visual criteria associated with the visual arts in its presentation as text.
A commode is any of many pieces of furniture. The Oxford English Dictionary has multiple meanings of "commode". The first relevant definition reads: "A piece of furniture with drawers and shelves; in the bedroom, a sort of elaborate chest of drawers (so in French); in the drawing room, a large (and generally old-fashioned) kind of chiffonier."
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Studio furniture objects, perhaps because of their close association with sculpture and other fine art, are shown as often in art galleries as they are in furniture showrooms. As is the case in the studio crafts at large, this contested identity is the impetus for frequent intra-field dialogue and differing intellectual positions on the matter ...