Search results
Results from the WOW.Com Content Network
Sicut Cervus remains one of Palestrina's most popular and frequently performed works and one of the rare motets that retained its popularity into the modern era. [7] The motet has become the "unofficial anthem" of St. John's College (Annapolis/Santa Fe) , where it is sung every Wednesday by students and faculty and is the part of the first-year ...
Sicut lilium inter spinas (1) Sicut lilium inter spinas* (4) Si ignoras te, o pulchra inter mulieres* (4) Stella quam viderant magi (1) Surgam et circuibo civitatem* (4) Surge amica mea, speciosa mea* (4) Surge Petre (4) Surge, propera amica mea* (4) Surge sancte Dei. Ambula sancte Dei (4) Suscipe verbum virgo Maria. Paries quidem filium (1)
Psalm 42 is the 42nd psalm of the Book of Psalms, often known in English by its incipit, "As the hart panteth after the water brooks" (in the King James Version).The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament.
Quemadmodum desiderat cervus (or Sicut cervus desiderat) ad fontes aquarum ita desiderat anima mea ad te Deus. [4] (As a hart longs for the flowing streams, so longs my soul for thee, O God.) The phrase in the humanist sense is associated with the poet Petrarch, whose poems Rerum Vulgarium Fragmenta (c.1350) use the deer imagery of the Psalm.
Giovanni Pierluigi da Palestrina (between 3 February 1525 and 2 February 1526 – 2 February 1594) [n 1] was an Italian composer of late Renaissance music.The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe.
Sicut cervus. Four-part (1868) Cantique pour l'adoration du Saint-Sacrement. Words by A. de Ségur (1868) Le ciel a visité la terre. Words by A. de Ségur (1868) In English by Farnie (1877) Prière pour l'empereur et la famille impériale. Words by Baclen (1869) L'anniversaire des martys, 6 canticles. Words by C. Dallet. With piano or organ (1870)
Magnificat in Gregorian chant. In Gregorian chant the Magnificat is sung according to the eight traditional psalm tones: Tonus I (first tone): Magnificat primi toni; Tonus II (second tone): Magnificat secundi toni; Tonus III (third tone): Magnificat tertii toni; Tonus IV (fourth tone): Magnificat quarti toni; Tonus V (fifth tone): Magnificat ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate