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His "Louie Louie" guitar break has been called "iconic", [148] "blistering", [149] and "one of the most famous guitar solos of all time". [150] Guitar Player magazine noted, "Raw, lightning-fast, and loud, the solo's unbridled energy helped make the song a No. 2 pop hit, but also helped set the template for garage-rock – and later hard-rock ...
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The song has a different melody and chord progression than the original because Legend opted for a "more gospel" sound. [ 6 ] The producer for The Roots, Ahmir Thompson , told Entertainment Weekly that he was "blown away" by the song and it was what made him realize that "this [the mixtape] could go anywhere" [ 7 ]
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
James Madison (1751–1836) was a Founding Father of the United States and its fourth president, serving from March 4, 1809, to March 4, 1817.Dubbed the "Father of the Constitution" for his role in creating the U.S. Constitution, he had been dissatisfied with the weak government under the Articles of Confederation, and helped organize the Constitutional Convention of 1787.
Since these four chords are played as an ostinato, the band also used a vi–IV–I–V, usually from the song "Save Tonight" to the song "Torn". The band played the song in the key of D (E in the live performances on YouTube ), so the progression they used is D–A–Bm–G (E, B, C#m, A on the live performances).
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
One of the main chord progressions in "Naked Eye" can be traced to the spring and summer of 1969 when the band was touring in support of the Tommy album. [1] [2] The three-chord riff (F6/9-Cadd9-G) was sometimes played during the group's very long and improvised versions of "Magic Bus" at that time, then later in expanded jams during "My Generation", as heard in the Live at Leeds version.
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