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Komm, Jesu, komm (Come, Jesus, come), BWV 229, is a motet by Johann Sebastian Bach, with a text by Paul Thymich. It was composed in Leipzig, and received its first performance by 1731–1732. Bach scored the motet for double choir. It was probably composed for a funeral, as were others of his motets but exact dates of composition and ...
The hymn was published with the current music (the "Winter Quarters" tune) for the first time in the 1889 edition of the Latter-day Saints' Psalmody. The hymn was renamed "Come, Come, Ye Saints" and is hymn number 30 in the current LDS Church hymnal. A men's arrangement of the hymn is number 326 of the same hymnal. [3]
"E'en So, Lord Jesus, Quickly Come" is a 1953 motet composed by Paul Manz with lyrics adapted by Ruth Manz.The piece is adapted from text found in the Book of Revelation.It is known as Paul Manz's most notable composition and has been frequently performed by numerous ensembles and choral groups such as the King's College Choir, who are thought to have popularized it.
"Even So Come" is a worship song released by Passion as the lead single from their 2015 live album, Passion: Even So Come, on April 28, 2015. [1] It features guest vocals from American Christian music singers Chris Tomlin on the album version and Kristian Stanfill on the radio single version.
Bach structured the cantata in six movements, beginning with chorale fantasia, followed by a series of alternating recitatives and arias and concluded by a chorale. [3] He scored it for three vocal soloists (soprano (S), tenor (T) and bass (B)), and a Baroque instrumental ensemble of violins (Vl), two violas (Va), and basso continuo (Bc), including cello (Vc) and bassoon (Fg). [7]
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When these signs come to pass, nearing the end at last, It will come very fast; trumpets will sound. Verse 3: Troubles will soon be o’er; happy forevermore, When we meet on that shore, free from all care. Rising up in the sky, telling this world goodbye; Homeward we then will fly, glory to share. [3]
Because "O Come, O Come Emmanuel" is a metrical hymn in the common 88.88.88 meter scheme (in some hymnals given as "8.8.8.8 and refrain" [13]), it is possible to pair the words of the hymn with any number of tunes. The meter is shared between the original Latin text and the English translation.